Brenda Patea posts swimsuit photo days before Alexander Zverev’s French Open final

Brenda Patea posted an Instagram photo on June 1 in a brown swimsuit with a flower in her hair, days before Alexander Zverev’s June 7 French Open final.

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Brandon Hayes
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Arts writer and cultural critic covering theatre, fine art, and the independent music scene. Regular contributor to The Atlantic and Rolling Stone.
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Brenda Patea posts swimsuit photo days before Alexander Zverev’s French Open final

posted a photograph to on June 1 showing her in a brown swimsuit with a flower tucked behind her ear, captioned, "Lieblings-Urlaubsziel? ☀️🌴." The image landed in public view just days ahead of ’s scheduled final on June 7, linking a private social-media moment to a high-profile sporting moment involving her former partner.

The June 1 post is unadorned beyond the German caption — which loosely translates to "Favorite vacation destination?" — and the simple visual detail of the flower. Patea has remained active on social platforms since her relationship with Zverev and has built a solid following in her own right; the timing of this particular upload drew attention because it came while Zverev was advancing through .

Patea and Zverev’s history is brief but consequential. They dated for about eight months in 2019 and split in 2020. A short while later, Patea announced she was pregnant with Zverev’s child; their daughter, , was born in March of 2021. The pair have been splitting custody since then, and Patea sometimes attends tournaments because of that shared arrangement.

Those custody arrangements are the behind-the-scenes reason Patea’s social profile still intersects with Zverev’s public life. Zverev has been dating influencer since 2021 — a fact that coexists with the ongoing custody relationship Patea maintains with the player. That overlap is the source of the story’s friction: Patea’s posts are personal, but they also echo in the space occupied by a top-ranked tennis player preparing for one of the sport’s biggest matches.

The immediate weight of the June 1 image is its proximity to the final. Zverev is scheduled to face Italy’s on June 7, and anything that places people connected to him in the public eye tends to attract scrutiny. Patea’s photograph did not contain commentary about the tournament, custody, or Zverev, but the sequence of dates — post on June 1, final on June 7 — is what amplifies an otherwise routine social update.

What the record does not show is motive. There is no public statement tied to the June 1 upload explaining why Patea posted that day or whether it was intended as a message tied to the tournament. That gap separates a straightforward social-media snapshot from a clear public act aimed at Zverev’s moment on court.

The next concrete development to watch is simple and immediate: whether Patea will attend Roland Garros for the June 7 final as part of the custody arrangements that sometimes bring her to tournaments. Her presence at the stadium would put Mayla and Patea in the same arena as Zverev and would give the June 1 post a new context; absent that, the image remains a private post with public timing. Either way, the outcome of Zverev’s match against Flavio Cobolli and any further posts or public appearances from Patea will determine whether the swimsuit photo is read as a personal snapshot or a moment that shared custody and high-profile sport briefly collided.

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Arts writer and cultural critic covering theatre, fine art, and the independent music scene. Regular contributor to The Atlantic and Rolling Stone.