Jennie, the Blackpink member, posed topless for a Dazed Korea cover shoot and the images were posted publicly by her stylist, Sam Woolf, on May 20 on his official Instagram page.
The carousel’s cover image frames Jennie from the side. In that shot she looks at the camera with one arm raised to her lips; a black fishnet veil, studded with small metallic accents at each intersection of the net, partly covers her face while her long hair cascades down her bare back.
Other frames in the set underline the shoot’s spare approach to clothing and accessory work. In one photo Jennie stands with her back turned toward the camera, revealing the sweep of her hair and the minimal styling. In another, she wears a high-waisted blue skirt from Chanel’s Métiers d’Art collection by Matthieu Blazy, and in a separate image a burgundy Chanel flap handbag hangs from her bare shoulder.
The burgundy Chanel bag is notable for its unusual hardware: the polished gold-plated neck, head and legs of a giraffe are integrated into the bag’s structure, forming a decorative extension that rests against her shoulder in the photograph.
Sam Woolf’s post presents these images as new material for Dazed Korea’s cover; the stylist’s official Instagram page is the platform where the photos first appeared on May 20. Fans were talking about the images after they were shared, and the stylist’s post made the set instantly visible to a wide audience.
The photographs arrange two clear pieces of visual work: near-nudity paired with couture pieces from Chanel. The cover’s fishnet veil and Jennie’s bare back focus attention on silhouette and texture, while the Métiers d’Art skirt and the giraffe-handled flap bag provide an immediate fashion reference point tied to a named designer, Matthieu Blazy.
That combination is precise in the frame: a stylist’s hand, the couture label, and a deliberate choice to present skin as the primary canvas. The images are presented as editorial art directed at a fashion audience, and Sam Woolf’s decision to release the set on his official Instagram page is the act that moved the photos from studio to public conversation on May 20.
There is a simple factual arc to what happened: the shoot was posted by Jennie’s stylist; the cover shows her topless beneath a studded fishnet veil; ancillary images place Chanel pieces alongside the near-nude composition. Fans reacted quickly after the stylist shared the images, and the shoot has become the center of online attention tied to this particular Dazed Korea presentation.
By posting the images on May 20, Sam Woolf placed Jennie’s Dazed Korea cover shoot—topless and styled with Chanel’s Métiers d’Art pieces by Matthieu Blazy and an ornate giraffe-handled flap bag—squarely into public view, and the photos have already prompted fan discussion.
