Washington National Opera Relocates Amid Trump-Era Tensions with Kennedy Center

The Washington National Opera (W.N.O.) has officially parted ways with the John F. Kennedy Center for the Performing Arts, relocating to George Washington University for its spring season. This move comes amid rising tensions during the Trump era, as the organization seeks a new artistic direction and financial stability.

Relocation Announcement and Upcoming Performances

The opera will return to its roots at George Washington University, where it originated nearly 70 years ago. The 70th season commences on March 7 at Lisner Auditorium with the world premiere of a new adaptation of Scott Joplin’s “Treemonisha.” Following that, performances of Robert Ward’s “The Crucible” will take place starting March 21.

Details regarding Leonard Bernstein’s “West Side Story,” to be conducted by Marin Alsop, are still awaiting announcement. The opera’s annual gala, featuring composer Stephen Schwartz, will also occur, although its location remains unspecified.

Support from the Community

Following the announcement of its relocation, the W.N.O. experienced a surge in donations from over 500 supporters. Timothy O’Leary, the opera’s general director, expressed gratitude, stating, “Thanks to our community of support, W.N.O. will continue to be a source of beauty, connection, and free expression for another 70 years and beyond.”

In contrast, Roma Daravi, a representative from the Kennedy Center, cited financial challenges as the reason for the split. She noted that “we believe this represents the best path forward for both organizations.” The Kennedy Center’s relationship has been strained since the Trump administration’s influence began affecting its operations.

Challenges Under the Trump Administration

The influence of President Trump has overshadowed the Kennedy Center, with attendance at the opera declining since his return to office. Many artists have declined to perform there due to Trump’s controversial policies and actions, further complicating the situation for the W.N.O.

Messages Through Performance

Francesca Zambello, the opera’s artistic director, highlighted the thematic significance of the upcoming performances. She stated, “We will present three American works that explore themes at the heart of what makes our country great.”

• “Treemonisha”: Celebrates education over ignorance.
• “The Crucible”: A cautionary tale about mob mentality.
• “West Side Story”: An appeal for racial tolerance.

Venue Details and Future Events

Lisner Auditorium will host these performances, though it accommodates 1,400 seats, significantly fewer than the 2,300 available at the Kennedy Center. In addition to the Lisner, the W.N.O. plans to present events at several other venues across Washington, including St. Dunstan’s Episcopal Church and the Rachel M. Schlesinger Concert Hall.

Next month, attendees will have the opportunity to enjoy “Beethoven & Bohème,” featuring participants from the opera’s Cafritz Young Artist Program, demonstrating the W.N.O.’s commitment to fostering new talent.