The Devil Wears Prada 2 sets May 2026 release as trailer revives Runway rivalries

Nearly 20 years after The Devil Wears Prada turned office politics into high fashion, The Devil Wears Prada 2 is now in full promotional mode, anchored by a new trailer and a firm theatrical release date of May 1, 2026. The sequel brings back the original power center—Miranda Priestly—and reframes her influence in a media world that no longer runs on glossy print alone.

What the sequel is actually about

The new story leans into a modern pressure point: a prestige fashion magazine fighting for relevance and revenue as traditional publishing contracts. Miranda is still Miranda—cold precision, impossible standards—but she’s operating in a harsher business environment where status alone can’t keep the lights on.

The central tension shifts from “assistant survives Miranda” to “Miranda tries to keep control,” with the added complication that Emily—once the overworked first assistant—is now positioned on the other side of the money as a luxury executive holding valuable advertising leverage. Andy’s return to the Runway orbit is framed as the narrative hinge that forces old dynamics back into motion.

The Devil Wears Prada 2 trailer: what it shows

The latest trailer runs on reunion energy and quick, quotable friction. It teases a reintroduction to Runway’s ecosystem, with Andy stepping back into a workplace that looks sleeker and sharper than ever—but still charged with the same hierarchy and fear.

A key musical choice is doing heavy lifting: Madonna’s “Vogue” appears again as the signature needle-drop that signals “fashion world fantasy, turned up.” The trailer also leans into visual shorthand—elevators, hallways, power suits—to remind audiences that this series lives and dies on entrance-making.

If you’re hunting for “devil wears prada 2 trailer” or “the devil wears prada 2 trailer,” the main takeaway is that the marketing is selling a tonal match to the original: wit, speed, and intimidation—just updated for a new industry reality.

Meryl Streep, Anne Hathaway, and Stanley Tucci are back in character

Meryl Streep returns as Miranda, and the early talk around her scenes is less about reinvention and more about continuity—Miranda’s presence is meant to feel instantly familiar. Anne Hathaway returns as Andy, now framed as someone with real experience and leverage, not a fresh graduate trying to keep up.

Stanley Tucci is back as Nigel, and the trailer positions him as both comic relief and emotional grounding—still stylish, still sharp, but presented as someone whose role in the ecosystem has evolved. Emily Blunt’s Emily also returns, now upgraded from stressed subordinate to a figure with real corporate power.

Fashion is the headline: suits, heels, and “Miranda-proof” wardrobe

The trailer’s loudest message is visual: the clothes are the event. The styling appears more tailored and “grown-up” than the mid-2000s maximalism of the original, with a noticeable emphasis on sharp suiting and heavier, more structured fabrics.

Streep has also spoken about the physical grind of the wardrobe—particularly the sheer volume of time spent in high heels during the shoot—underscoring that the sequel is treating Miranda’s look as an identity that’s been maintained for decades, not swapped out for a trendy reset.

Madonna rumors and what’s confirmed

Madonna’s presence in the conversation is real in one clear way: her music is tied to the film’s marketing, reinforcing the franchise’s fashion-party vibe.

Separate from that, online chatter has floated the idea of Madonna appearing in the film. That cameo talk remains unconfirmed. As with most rumor cycles around a highly anticipated sequel, it’s best treated as speculation unless the film’s team formally announces it.

What to watch before May 1

With the release date locked, the next beats are easy to track: additional trailer cuts, more plot clarity on how Andy fits into Miranda vs. Emily, and a steady drip of costume reveals designed to keep “gram-worthy” looks circulating.

Key things to keep an eye on:

• Whether the marketing frames Andy as ally, opponent, or reluctant mediator

• How directly the sequel critiques modern media economics versus playing it as backdrop

• How much of the story is workplace satire versus character-driven drama

Sources consulted: Vanity Fair, GQ, People, IMDb