Review: John Turturro Shines in ‘The Only Living Pickpocket in New York’
In the landscape of New York cinema, authenticity is crucial. “The Only Living Pickpocket in New York,” directed by Noah Segan, stands out for its genuine portrayal of the city. The film is entirely shot on location in Manhattan and its outer boroughs, such as the Bronx, Queens, and Brooklyn. This choice immerses viewers in a real New York experience, contrasting with many recent films that often opt for less authentic settings.
John Turturro’s Performance
At the heart of the film is John Turturro, who delivers a powerful performance as Harry Lehman. As an old-school pickpocket, Harry navigates the streets of New York with a strict code of ethics. Turturro’s portrayal is marked by physicality and subtlety, reflecting Harry’s contemplative nature. This nuanced performance captures the essence of a man shaped by his environment, where every movement is calculated and purposeful.
Visual and Auditory Elements
- Director: Noah Segan
- Cinematographer: Sam Levy
- Score: Funk-inspired, echoing “The Payback”-era of James Brown
The film employs a mix of wide shots and close-ups to echo Harry’s perceptive skills, establishing a visual rhythm that resonates with the film’s themes. The score adds to the film’s gritty atmosphere, reinforcing its connection to New York’s cultural fabric.
Exploration of Modern Crime
One central theme of “The Only Living Pickpocket in New York” is the tension between analogue and digital worlds. Harry’s expertise as a pickpocket is increasingly irrelevant in a cashless society dominated by digital transactions. Humor arises as characters navigate the complexities of modern technology, reinforcing the film’s commentary on contemporary life.
Supporting Cast
The film features an ensemble cast that heightens its emotional depth. Noteworthy performances include:
- Tatiana Maslany as Harry’s estranged daughter
- Steve Buscemi as Ben, a pawnshop dealer with a warm demeanor
- Lori Tan Chinn as a feisty Chinatown grandmother
- Jamie Lee Curtis in a memorable role as a mob boss
Each character adds layers to the narrative, enhancing the film’s exploration of relationships set against the backdrop of New York’s evolving landscape.
A Unique Take on Crime Drama
Unlike traditional crime films, “The Only Living Pickpocket in New York” refrains from showcasing excessive violence. The absence of gunfights and bloodshed is a bold choice, establishing tension through character interactions rather than typical action sequences. Harry, instead of resorting to violence, discards a gun he finds, showcasing his preference for the old ways of life.
Preserving New York’s Essence
The film not only presents a story of crime but also an authentic representation of New York itself. It highlights the struggles of its residents, blending different generational experiences. By avoiding harsh critiques of younger generations, the film suggests that old and new methods can coexist harmoniously.
As it seeks U.S. distribution after premiering at the 2026 Sundance Film Festival, “The Only Living Pickpocket in New York” reinvigorates the crime genre with its thoughtful approach and compelling storytelling.
