Family and Crew Felt First: Bridgerton Finale Honors Nicholas Braimbridge and Tony Cooper with Tribute, Fundraiser and Career Reminders

The closing card for the season 4 finale included a dedication that immediately put the spotlight on real people behind the sets: nicholas braimbridge and Tony Cooper. That short on-screen moment matters because it triggered a fundraiser for the artist’s family, underscored the emotional toll on the art department, and made viewers pause to recognize craftspeople whose work shapes the show’s look.

Immediate impact: family support and the art department's loss

Here's the part that matters: production designer Alison Gartshore created a GoFundMe in honor of the scenic artist to help support his family after the tragedy in May 2025, and the fundraising page is still active. The campaign organized in his memory raised more than £10, 000 to support his children. Gartshore described Nick as a hugely talented scenic artist and expert faux finisher known for exquisite marbling and wood grain finishes, work learned over many years with high-end interior designers and later in film and television. She recalled working closely with him, calling him integral to the art department and remembering his charm and humor.

The loss reaches beyond immediate family. Braimbridge’s daughters, Flora and Amelia, are both teenagers, and Gartshore noted that he had very recently lost his wife to cancer before Christmas this year, making the family situation especially tragic. Colleagues in the art department have been left shaken by his passing.

Nicholas Braimbridge: career, credits and signature craft

Nicholas Braimbridge served as a scenic artist on both Bridgerton and the Queen Charlotte spinoff, responsible for a range of finishes on the franchise’s grand interiors. His specialty was transforming ordinary surfaces into the marbled and wood-grained halls seen on screen, a skill built from years as a fine decorative painter working on high-end properties in London and international estates before moving into film and television.

His film credits include work on Beetlejuice Beetlejuice, Gladiator II, A Quiet Place: Day One, and The Beekeeper, and his decorative techniques became a recognisable part of the Bridgerton aesthetic. Gartshore set up the memorial fundraising page in May 2025 following his death to help support his family.

• Fundraiser status: still active and raised more than £10, 000.
• Family: survived by two teenage daughters, Flora and Amelia; wife died of cancer before Christmas this year.
• Role: scenic artist on Bridgerton and Queen Charlotte; specialist in marbling and wood grain finishes.

Tony Cooper’s role and credits

Tony Cooper was honoured alongside Braimbridge. He worked as a unit driver who transported cast, crew and equipment around filming locations for both Bridgerton and the Queen Charlotte spinoff. His credits as a cast driver also include The Crown, The Batman, Spider-Man: Far From Home, and Black Widow, among others, underscoring a long career supporting large-scale productions.

The on-screen tribute and timing

As the finale credits rolled, a simple title card appeared reading “In Loving Memory of Nicholas Braimbridge and Tony Cooper, ” putting both crew members’ names on screen. That dedication followed the episode’s final scene and was part of the season 4 finale release on February 26, 2026, when viewers first saw the closing acknowledgement.

• Appearance: title card in the closing credit sequence stating the dedication.
• Finale timing: the finale was released on February 26, 2026.

Key takeaways:

• The tribute translated quickly into financial support: a memorial fundraiser was created in May 2025 and has raised more than £10, 000 to assist Braimbridge’s daughters.
• Two groups are most affected immediately: Braimbridge’s family (Flora and Amelia) and the art department who worked with him closely.
• On-screen dedications can prompt renewed attention to behind-the-scenes roles, from scenic artistry to unit driving.
• Existing credits and past projects help illustrate each crew member’s contribution to multiple high-profile productions.

It’s easy to overlook, but the visible credit makes a private workplace loss public in a way that often directs practical support to a family left behind.

Writer’s aside: the detail that he had lost his wife shortly before his own death adds another layer to why the fundraiser and the naming matter so much to colleagues and community.

The real question now is how long the fundraising and community attention will sustain support for the family and how the art department will remember those techniques and approaches that helped define the show’s visual identity.