Glenn Close Wore a Chic Floral Look for the BAFTAs — What Fashion Fans Should Notice

For fashion-minded readers tracking red-carpet echoes between runways and awards shows, glenn close’s appearance at the BAFTAs today is a clear through-line: she leaned into florals across two Erdem looks, pairing a showy black-and-silver red-carpet set with a separate navy floral outfit seen earlier at London Fashion Week. Here’s why stylists, collectors, and trend-watchers should care about the choices she layered and repeated.

Glenn Close’s styling choices: a user’s guide for stylists and collectors

Here’s the part that matters for people who work with clients or curate wardrobes: the look balanced ornate embroidery and wearable silhouettes. The red-carpet ensemble combined eye-catching embellishment with low-heel practicality and a compact, bejeweled clutch—details that make the outfit both photographable and adaptable for repeat appearances.

Outfit details from the red carpet

The star shimmered in a black and silver floral ensemble by Erdem. The set included a boxy-cut jacket in an inky black shade, accented around the hemline and cuffs with a cascade of shimmering silver floral embroidery. The same floral embellishment continued onto the midi skirt: flowers ran down a central seam, then continued asymmetrically along one side of the skirt for a modern edge. Accessories finished the look: a simple floral brooch at the lapel, petite stud earrings, black flats with more silver florals at the toe, and a matching clutch purse with a bejeweled silver ball clasp.

Where this appearance connected to London Fashion Week

If you’re wondering why this keeps coming up in conversations about coordinated dressing, note that glenn close hit the red carpet after stopping by the Erdem runway show earlier for London Fashion Week. At that showing she kept the floral theme: a navy overcoat patterned with blue and white flowers, a pale blue button-down, and navy point-toe shoes—an explicit echo of the designer and motif.

• Floral embroidery was used as both hemline detail and asymmetric skirt trim.
• Comfort-forward footwear (black flats) paired with ornate embellishment.
• Two distinct Erdem outfits tied runway and red carpet together on the same day.
• Accessories (brooch, stud earrings, bejeweled clutch clasp) were small but consistent floral notes.

BAFTAs context and a brief rewind

No stranger to the awards, she is presenting at the BAFTAs today and may not be taking home a trophy herself. She has been nominated twice in the past: in 1990 for Dangerous Liaisons, where she played the Machiavellian Marquise de Merteuil opposite John Malcovich and Michelle Pfeiffer, and in 2019 for The Wife, in which she portrayed the spouse of a Nobel Prize winner questioning her life choices.

What’s easy to miss is how consciously repetitive choices—designer, motif, and compact accessories—make a single-day style narrative that serves both runway reporting and red-carpet photography.

Other names and moments appearing in coverage of the same event

Coverage of the BAFTAs the same day also highlighted a range of other attendees and moments, including Monica Bellucci’s Cartier necklace, Cillian Murphy in a modern suit, Inga Ibsdotter Lilleaas at the 2026 BAFTAs, Renate Reinsve in custom Louis Vuitton, Jessie Buckley’s David Lynch tribute, Timothée Chalamet in a black tux, Robert Aramayo arriving at the 2026 BAFTAs, and Chase Infiniti in custom Louis Vuitton.

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The real question now is how often we’ll see this kind of deliberate runway-to-red-carpet repetition from established names—will other attendees echo a single-designer day? The real test will be whether florals and small, bejeweled clasps reappear in other high-profile looks this awards season.