Kendall Jenner Sits Front Row with Nicholas Galitzine as Milan Fashion Week Nears March 2 Finale

Kendall Jenner Sits Front Row with Nicholas Galitzine as Milan Fashion Week Nears March 2 Finale

Kendall Jenner landed in Milan for Fashion Week and was photographed in a series of studied minimalist looks, sitting front row at the Emporio Armani runway alongside nicholas galitzine and Elodie. The appearances matter now because they came in the final stretch of shows before the season moves on—Milan wraps on March 2—putting Jenner’s travel wardrobe on immediate display for buyers and editors watching the runways.

Front row at Emporio Armani: Nicholas Galitzine and Jenner

At the Emporio Armani presentation, Jenner chose a black midi dress woven with a subtle floral jacquard and a bateau neckline, then draped a chocolate-brown shawl over her chest so its ends wrapped her shoulders and floated like a cape, leaving her back bare. She took a front-row seat between nicholas galitzine and Elodie, a placement that underscored the crossover between celebrity attendance and industry scrutiny that defines the final days of Milan Fashion Week.

Her styling at the show included barely-there strappy black stilettos, elongated dark-brown sunglasses and bulbous silver earrings. The shawl’s embroidery in matching earthy tones and the cape-like drape produced a visual effect on the catwalk level that emphasized layered subtlety rather than overt ornamentation.

Burberry Camden car coat and The Row staples in Jenner’s Milan rotation

Jenner’s street-to-show sequence began earlier in the week. On Feb. 24 she arrived in Milan wearing a black cashmere turtleneck over a white T-shirt paired with a gray cotton midi skirt and black block-heel pumps from her usual polished repertoire. The following day, Feb. 25, she stepped out in Burberry’s Camden car coat in Honey Beige—single-breasted and cropped to the knee—with a navy sweater draped over her shoulders, a pair of loose white trousers and the same square-toe, high-vamp pumps that repeated across back-to-back looks.

She also favored The Row while in the city, alternating between the label’s cozy knit and A-line skirt in charcoal gray and a Kensington knit polo neck layered over a white tee, completed by high-vamp black leather slippers on another outing. Those choices—Burberry’s tailored outerwear, The Row’s muted luxury knits, and a persistent preference for squared footwear—crafted a throughline of restrained luxury across multiple days.

One tangible effect of the pump choice was practical: the block-heeled, high-vamp shape gave her the lift needed for wide-leg trousers to clear the pavement without altering the intended silhouette. That interplay between shoe and hemline shows how a single footwear decision can determine how an outfit travels through a city’s streets and into a show venue.

What makes this notable is how Jenner’s repeated motifs—neutral palettes, squared shoe shapes and knit layering—translate from arrivals to front-row styling, offering a compact playbook for attendees balancing travel practicality with runway presence.

Jenner’s appearances also intersected with a broader event timeline: as designers and editors finalize show schedules and buyers make last-minute decisions in Milan, celebrity seating and visible street looks can amplify particular labels. In Jenner’s case, the proximity of her looks to the Emporio Armani presentation and her alternating use of Burberry and The Row positioned those brands in front of an amplified audience during the week’s closing days.

Across the outings, concrete markers—Feb. 24 arrival, Feb. 25 daytime coat look, Emporio Armani front-row attendance, and the calendar endpoint of March 2—offer a tight timeline that maps how one figure’s wardrobe choices can ripple through the week’s narrative. Her status as an 818 Tequila founder was noted in some appearances, but the immediate impact centered on clothing: coats, knits, skirts and shoes that together underscored a minimalist, edited approach during Milan’s maximalist moment.

With Milan Fashion Week moving toward its March 2 close and shows soon shifting to Paris, Jenner’s layered, low-key approach and the visible company she kept at Emporio Armani will remain part of the week’s final visual record, informing trend watchers and retail eyes alike.