Why Patrick Dempsey’s New Crime Show Mirrors Its Predecessors
Patrick Dempsey has made a striking return to television with his role in the crime drama “Memory of a Killer.” This series, which airs every Monday at 9 p.m. ET on Fox, features Dempsey as Angelo Doyle, an assassin grappling with early-onset Alzheimer’s Disease. As his personal and professional life begins to disintegrate, his unique challenges set the stage for a gripping narrative.
Plot Overview and Themes
“Memory of a Killer” centers on Angelo Doyle, whose memory loss causes dangerous lapses in judgment. His condition threatens not only his life but also puts his pregnant daughter Maria and her husband Jeff in peril.
Similarities to Other Works
Some viewers have drawn parallels between “Memory of a Killer” and the upcoming film “Knox Goes Away,” directed by Michael Keaton. In this 2024 release, Keaton portrays another hitman with cognitive decline, leading to dilemmas tied to family loyalty and crime. The storyline echoes significant themes of memory loss and familial obligation.
Origins of the Story
While initial reactions may suggest that “Memory of a Killer” is reminiscent of “Knox Goes Away,” the truth lies in its literary roots. The series is inspired by the 1985 novel “De zaak Alzheimer” (translated as “The Alzheimer Case”) by Belgian author Jef Geeraerts. This book follows inspectors investigating a series of murders that connect to an assassin suffering from memory loss.
- Original Novel: De zaak Alzheimer (1985)
- First Adaptation: “Memory,” a 2003 Belgian film
- American Adaptation: “Memory,” released in 2022 starring Liam Neeson
“Memory of a Killer” is one of several adaptations of Geeraerts’ novel, and its approach remains distinct from the cinematic narratives inspired by the source material. It aligns more closely with the adaptation lineage rather than attempting to duplicate any recent conceptions.
Connections and Coincidences
Both “Memory of a Killer” and “Knox Goes Away” explore the complexities of a hitman’s life, exacerbated by mental decline. However, these similarities are coincidental, reminiscent of previous pairs of films such as “Armageddon” and “Deep Impact.” Despite the overlapping elements, they each maintain unique plotlines.
As both series and film approach their respective releases, fans of crime dramas may find value in experiencing the narrative depth offered by “Memory of a Killer” and consider “Knox Goes Away” for its compelling storytelling as well.
Conclusion
Patrick Dempsey’s “Memory of a Killer” solidifies his return to the small screen while offering a riveting crime narrative rooted in a significant literary work. As the show continues, audiences are invited to reflect on the intricate relationships between memory, identity, and family within the crime drama genre.
