Critics’ Reviews: What They’re Saying

As the release of *Wuthering Heights* approaches, critics are offering a range of opinions about Emerald Fennell’s adaptation of Emily Brontë’s classic novel. Set against the Yorkshire moors, the film explores the intense relationship between Heathcliff and Catherine Earnshaw, portrayed by Jacob Elordi and Margot Robbie, respectively. It is set to hit theaters on February 13.

Critics’ Reviews: What They’re Saying

The film currently holds a 71% rating on Rotten Tomatoes from 65 reviews and has a score of 60% on Metacritic based on 31 reviews.

Mixed Reviews from Prominent Critics

• David Rooney, The Hollywood Reporter: He describes Fennell’s direction as entertaining and provocative, appealing to a younger audience. He notes the film’s vibrant design and mix of humor and tragedy.
• Clarisse Loughrey, The Independent: Loughrey criticizes the film for stripping away the emotional depth of the original novel, calling it “hollow.”
• Alison Willmore, Vulture: She comments on the film’s excessive sensual imagery, suggesting that it feels excessively moist and visually captivating.
• Peter Bradshaw, The Guardian: He emphasizes the film’s campy elements and bold visual style, noting its humorous take on darker themes.
• David Sims, The Atlantic: Sims calls it Fennell’s best film, describing it as both stylish and messy, featuring striking visuals intertwined with gruesome imagery.
• Kevin Maher, The U.K. Times: Maher points out the lack of chemistry between the leads and expresses disappointment in the character portrayals, calling it a “vapid” adaptation of the classic novel.
• Lindsey Bahr, Associated Press: Bahr finds the film entertaining, noting its stylistic flamboyance while criticizing its shallow narrative.
• Caryn James, BBC: James recognizes some of Brontë’s original spirit in the film, highlighting Fennell’s dramatic retelling that embraces contemporary styles.
• Brian Truitt, USA Today: Truitt mentions that Fennell’s adaptation is darkly humorous and innovative, making it appealing to a wide audience.
• Beth Webb, Empire: Webb argues that while the film is skillfully made, it sacrifices depth for style, suggesting that it could have better captured Brontë’s complex narrative.
• Johnny Oleksinski, New York Post: Oleksinski acknowledges the film’s romantic elements but praises its engaging portrayal of the tumultuous relationship between Cathy and Heathcliff.

Overall, critics have mixed feelings about *Wuthering Heights*. While some celebrate its bold visuals and contemporary touches, others feel it lacks the substance of Brontë’s original work. As it prepares for its theatrical debut, audiences are eager to see how this critical reception influences the film’s success.