Review of ‘Mercy’ (2026): A Compelling Film Summary

The film “Mercy” (2026) introduces an innovative yet contentious use of the screenlife technique, a storytelling method reliant on visuals from desktops and laptops. This approach has previously been implemented in films like “Unfriended,” “Host,” and “Missing,” as well as in various television shows. However, the effectiveness of this method feels diminished in “Mercy,” as audiences may grow weary of the gimmick. Directed by Timur Bekmambetov, known for pioneering the screenlife genre, “Mercy” attempts to blend elements from notable thrillers such as “The Fugitive” and “Minority Report.” Unfortunately, the film struggles to carve out its distinctive identity.

Plot Summary of “Mercy”

Set in a dystopian Los Angeles in the year 2029, “Mercy” centers on the aftermath of a controversial decision by lawmakers to activate the Mercy Capital Court, a judicial system governed by Artificial Intelligence. The story follows LAPD detective Chris Raven, portrayed by Chris Pratt, who finds himself wrongly accused of murdering his wife, Nicole, played by Annabelle Wallis. Strapped to a chair at the Mercy Capital Court, Chris must navigate a grim system where the AI Judge Maddox (Rebecca Ferguson) oversees proceedings that place his life at stake.

Main Plot Elements

• Setting: Dystopian Los Angeles, 2029.
• Premise: The Mercy Capital Court issues immediate justice based on AI verdicts.
• Characters:
  • Chris Raven (Chris Pratt)
  • Nicole Raven (Annabelle Wallis)
  • Judge Maddox (Rebecca Ferguson)
• Plot Device: Chris has 90 minutes to prove his innocence or face execution.

Character Dynamics and Challenges

The film portrays Chris as a once-accomplished detective now hampered by his actions on the night of the murder. Suffering from a hangover and disorientation, he struggles to piece together the events leading up to the accusation. Despite Pratt’s potential as an actor, his performance is hindered by confinement to a chair, limiting physical expression. The same applies to Ferguson, whose role as a disembodied AI limits emotional depth.

Visual Style and Cinematic Techniques

“Mercy” employs a mix of various visual styles, utilizing everything from cell phone footage to surveillance imagery. These elements aim to enhance the storytelling but often result in an overwhelming barrage of information. While the countdown creates a sense of urgency, the film ultimately falters due to predictable plot developments and a disjointed narrative.

Final Thoughts

Though “Mercy” grapples with pressing questions about privacy and surveillance in today’s technology-driven world, it fails to engage deeply with these themes. Instead, it opts for drone-chase sequences and overt twists that detract from the serious issues it introduces. As the film progresses, viewers may feel fatigue rather than tension, and the efforts of its cast, including notable performances by Pratt and Ferguson, become overshadowed by the film’s overall execution.

In summary, “Mercy” (2026) presents an ambitious narrative through its screenlife format but ultimately falls short in delivering a compelling and cohesive thriller. For audiences seeking an engaging film experience, “Mercy” may leave much to be desired.