Philip Glass Withdraws, Kennedy Center Symphony Perseveres
Philip Glass, the acclaimed composer, has announced his decision to withdraw Symphony No. 15 from its scheduled world premiere at the Kennedy Center. This work, inspired by Abraham Lincoln’s 1838 Lyceum Address, was commissioned six years ago by the National Symphony Orchestra (NSO) to celebrate the 50th anniversary of the Kennedy Center.
Glass’s Withdrawal and its Implications
In a letter to the Kennedy Center, Glass expressed that the values currently represented by the institution conflict with the message of his symphony. He stated, “Symphony No. 15 is a portrait of Abraham Lincoln, and the values of Kennedy Center today are in direct conflict with the message of the symphony.” This decision has been described as a significant blow to the Kennedy Center, particularly for the NSO and its music director, Gianandrea Noseda.
The Historical Context
Glass, who was honored with the Kennedy Center Honors award in 2018, had initially set out to create a symphonic piece reflecting Lincoln’s ideals. The anticipated premiere, scheduled for June, was positioned as a pivotal moment for the NSO amidst the ongoing challenges faced in the arts community due to political shifts.
Challenges Facing the Kennedy Center
- Attendance for performances is down approximately 50% compared to previous seasons.
- Prominent artists, such as soprano Renée Fleming, have canceled engagements.
- Recent political developments have influenced public perceptions and attendance at the center.
Joan Bialek, the chair of the NSO board, voiced determination regarding the orchestra’s future, stating, “We will make it through this.” She highlighted the need to bring audiences back to the concert hall and to rebuild the community’s connection to the music. Noseda echoed her sentiments, emphasizing the importance of presence and the ongoing work of making music despite the challenges presented by the current political environment.
The Financial Reality
The National Symphony Orchestra receives about $10 million annually from the Kennedy Center, which significantly supports its total budget of $42 million. This financial connection complicates any considerations of separating from the Kennedy Center, as noted by executive director Jean Davidson.
As the NSO navigates this tumultuous landscape, Noseda remains committed to fostering the orchestra’s talent and musical programming. He has hired 28 new players and encourages audience engagement by highlighting the importance of community in reviving attendance at performances.
Looking Ahead
Noseda’s leadership, extending his contract through 2031, reflects a dedication to enriching the NSO as it approaches its centennial in 2031. He believes strongly in using music as a unifying and healing force, which becomes increasingly important in the current sociopolitical climate.
As the National Symphony Orchestra continues to push forward, the challenges it faces underscore a broader narrative within the arts sector, where politics and community engagement are inextricably linked.
