Philip Glass Pulls ‘Lincoln’ Symphony from Kennedy Center Performance
Composer Philip Glass has decided to withdraw his Symphony No. 15, titled ‘Lincoln’, from its scheduled premiere at the Kennedy Center. This decision highlights a clash between the values of the prestigious arts institution and the themes of his work.
Details of Withdrawal
In a statement released on the social media platform X, Glass explained his choice. “After thoughtful consideration, I have decided to withdraw my Symphony No. 15 ‘Lincoln’ from the John F. Kennedy Center for the Performing Arts,” he stated. He emphasized that the Kennedy Center’s current leadership conflicts with the message of his symphony, which serves as a portrait of Abraham Lincoln.
Response from the Kennedy Center
The Kennedy Center responded through spokesperson Roma Daravi. She stated, “We have no place for politics in the arts, and those calling for boycotts based on politics are making the wrong decision.” Daravi reassured the public that the Center had not canceled any shows and criticized calls for artistic boycotts as detrimental.
Reactions from the Arts Community
Jean Davidson, executive director of the National Symphony Orchestra, expressed surprise at Glass’s announcement, stating they learned of his decision simultaneously with the media. Glass’s withdrawal follows a pattern among artists who have canceled performances amid political shifts. Recent changes in the Kennedy Center board, particularly the inclusion of former President Donald Trump’s name, have prompted several musicians to reconsider their engagements.
Additional Cancellations
- Renée Fleming withdrew from two shows in May, citing scheduling conflicts.
- The Washington National Opera exited the Kennedy Center, citing financial issues instead of political ones.
About Symphony No. 15 ‘Lincoln’
Glass’s Symphony No. 15 was advertised as the “world premiere” at the Kennedy Center, scheduled for June. The work reflects his extensive repertoire, which includes a variety of operas, symphonies, and concertos.
In withdrawing his symphony, Glass highlights ongoing tensions between artistic expression and political landscapes in the modern art scene. The decision signals a critical moment for the Kennedy Center as it navigates these complex dynamics.
